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Juxtapoz Magazine December 2014 #167
To celebrate Keith Haring's retrospective, "The Political Line," opening at the de Young Museum in San Francisco this Fall (November 8, 2014—February 16, 2015), Juxtapoz is proud to close its 20th anniversary year with a cover story on one of the most influential and popular artists ever. Keith Haring is part graffiti, street art, fine art, activist, futurist, environmentalist, and came on the scene with one of the most original styles the world has ever, and will ever see.
Carlo McCormick reflects on a friend, and writes about the impact Keith has had over two decades after his untimely passing.
Also in December 2014:
—Retna on Haring and shared visual languages
—Ai Weiwei takes over Alcatraz
—Tim Burton talks to Juxtapoz about his new film and the birth of Pop Surrealism
—Never2501 gives us the lowdown on his residency in Miami with Product81
—Bryan Derballa follows art handler Seth Hernandez around NYC
—Brooklyn's Eddie Martinez talks of two showstopping shows in Los Angeles and London
—Toronto's Jen Mann goes hyperreal
—Michelle Blade goes cosmic
—The classic erotic artist Hajime Sorayama gropes the dark
—Craig & Karl do Bowie... and Kanye
—And we go hang out with Andy Mueller to find the Quiet Life